Royal Case Study

## 🎤 Case Study: “How One Independent Artist Turned Weekly Performances into Royalty Income (Without Selling Out)”

### 🧍‍♂️ 1. Meet **DeShawn “Nova” Greene**, a 28-year-old independent rapper from Oakland with original music, a loyal but small fanbase, and a dream of getting paid for his grind.

Before joining the **Kozy Game Show Performance Reporting & Royalty Collection Service**, Nova was performing every week — street shows, open mics, local cyphers — but the hat tips and drink tickets weren’t paying bills. He’d heard about performance royalties but never knew how to actually collect them.

When he saw that **Kozy + BMI + Slap Magazine** partnership could handle the reporting for him (and even connect him to paid shows), he signed up for the **$50 intro month** — skeptical, but hopeful.

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### ⚙️ 2. The 6-Month Journey

**📅 Month 1 – Getting Legit**

Nova registered his music with **BMI** through the Kozy system and completed his first **Performance Contract**. He linked his songs, uploaded setlists, and started tracking every performance.

At the end of the month, he had 4 confirmed shows and finally felt like a *registered* artist instead of a “local hopeful.”

> “For the first time, my performances felt official — not just another night at the bar.”

**📅 Month 2 – Building Momentum**

Kozy helped Nova get on a **promoted showcase** and introduced him to other artists using the same service. He learned how to report every gig properly.

By now, he was performing weekly — averaging 5-6 shows a month. His total potential royalty pool for the quarter was about **$100–200**, depending on reporting variables.

**📅 Month 3 – First Royalty Check 💰**

Nova received his **first BMI payout** — a modest but powerful $72. He laughed, saying it was “the best $72 I ever made — because I didn’t have to sell a single hoodie for it.”

That check made him realize: consistent shows = consistent royalties.

**📅 Month 4 – Leveling Up**

He upgraded to the **Professional Plan ($100/month)** for fan club tools and performance marketing support. Using Kozy’s GPT artist-assist bots, he scheduled weekly social posts and fan engagement campaigns. His local following grew 35%.

He also started requesting **booking fees** since he could now prove his songs *generate royalties.*

**📅 Month 5 – Paid Shows & Branding Growth**

Nova landed two **paid Kozy showcases** and got featured in **Slap Magazine’s local artist highlight.**

His merch game went digital — Kozy’s team helped design his first T-shirt drop. He reinvested part of his royalty money into performance gear.

**📅 Month 6 – Royalty Rhythm & Reputation**

Six months in, Nova wasn’t rich — but he was finally earning *predictable income* from his music. Between royalties, paid shows, and small merch sales, his side income averaged **$250–$350/month**, enough to fund studio time and promo.

Local promoters now saw him as a professional — not just another open mic name.

> “I used to chase gigs. Now gigs chase me.”

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### 🏁 3. Outcome & Reflection

By staying consistent — one show a week, every show reported — Nova turned his stage time into a structured income stream.

He gained fans, leverage, and a system for tracking every performance like a business.

**Kozy Game Show’s service didn’t make him famous overnight — but it made him financially organized and artistically confident.**

And that’s the first real step toward independence.

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**💡 Moral of the story:**

When you treat your shows like assets, your art starts paying you back.

> “It’s not just exposure anymore — it’s exposure *with royalties.*”

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**Curious whether Kozy Game Show could work for you?**

If you’re an indie artist performing original music, review the steps, match your goals, and see if this journey fits your stage.

👉 [RAPMASTERCLASS.STORE](http://rapmasterclass.store)

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## 🎤 Case Study: “How Layla Turned Her Weekly Open Mics into a Royalty Stream (Without a Record Deal)”

### 🧍‍♀️ 1. Meet **Layla “L.Y.L.A.” Jackson**, a 25-year-old rapper, singer, and songwriter from **Oakland, CA**.

Before Kozy Game Show, Layla was *everywhere* — open mics, pop-ups, block parties — performing her heart out but rarely getting paid. She’d hear “you killed it” all the time but never “here’s your check.”

She knew about BMI and royalties but thought it was only for “industry people.” Then she saw the **Kozy x BMI** service and realized she could start collecting performance royalties *without* needing a label — just consistency and reporting.

With only **$50** to start, she signed up for the **Basic Plan**.

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### ⚙️ 2. The 6-Month Journey

**📅 Month 1 – Registration & Reality Check**

Layla got her music properly registered with **BMI** and completed her Kozy performance contract. The process made her feel official.

She performed at four open mics that month and reported every single one.

> “I didn’t realize every time I hit a stage, I was leaving money on the mic.”

**📅 Month 2 – Organized Hustle**

With Kozy’s help, Layla started tracking setlists and submitting show data. She joined the **RapMasterclass GPT artist bots**, which guided her through social promo ideas and fan-base tracking.

She was now performing every week — at least 5–6 shows monthly — and building her name across local circuits.

**📅 Month 3 – Her First Royalty Payout 💸**

When her first quarterly BMI payment dropped, it wasn’t huge — about **$68** — but it was hers.

She framed the deposit receipt as a reminder: *this is what structure pays like.*

Her friends joked that she got paid to rap about her ex — and she loved it.

**📅 Month 4 – Level Up Mode**

Layla upgraded to the **Professional Plan ($100/month)** for fan club support and show promotions. Kozy featured her in an **upcoming artist spotlight**, and she began using GPT tools to automate her merch store and gig calendar.

Her social engagement rose by **40%**, and fans started DM’ing her asking where to see her next show.

**📅 Month 5 – Paid Shows & Brand Glow-Up**

Kozy booked her for two **paid showcases**, where she earned both a performance fee and new followers.

The Kozy marketing team helped her design custom T-shirts and a new logo — turning her hustle into a small brand.

> “I went from performing for exposure to performing with invoices.”

**📅 Month 6 – Royalty Rhythm & Recognition**

Six months in, Layla’s performance routine was solid: one show per week, all reported.

Between royalties, show pay, and merch, her monthly side income averaged **$250–$400** — enough to fund her studio sessions and new visuals.

She also landed an opening slot for a local festival through Kozy’s partner network — her biggest crowd yet.

> “I used to rap for respect. Now I rap for respect *and a check.*”

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### 🏁 3. Outcome & Reflection

Layla didn’t blow up overnight — but she built momentum that actually *paid her back.*

By treating her artistry like a business, she learned how to track, report, and monetize every show.

Now, when she steps on stage, she knows it’s not just exposure — it’s *data that earns dividends.*

**Kozy Game Show + BMI turned her grind into a growth plan.**

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**💡 Lesson:**

If you’re performing, you deserve to get paid — not just praised. The difference is registration, reporting, and consistency.

> “It’s not magic. It’s management.”

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**Curious whether Kozy Game Show could work for you?**

If you’re a female artist or indie musician performing original music, check the plans and see which stage you’re on.

👉 [RAPMASTERCLASS.STORE](http://rapmasterclass.store)

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## 🎶 Case Study: “How One Indie Band Turned Their Weekly Gigs into Quarterly Royalties”

### 🧍‍♂️ 1. Meet **The Northside Notes**, a 4-piece funk-soul band from **Oakland, CA** known for live energy, tight grooves, and original music that always got the crowd moving — but not the bank account.

Before Kozy Game Show, the band was gigging at least once a week — bars, breweries, art walks — averaging small guarantees and tip-jar earnings. They thought royalties only came from Spotify streams, not live sets.

That changed when they discovered **Kozy Game Show’s subscription service** partnered with **BMI**. For just **$50 to start**, they could register every performance, get credit for every show, and actually collect quarterly payouts.

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### ⚙️ 2. The 6-Month Journey

**📅 Month 1 – Setting the Stage**

The Northside Notes joined the **Basic Plan ($50)** and registered all their songs with **BMI** through the Kozy onboarding process.

They uploaded setlists, signed their **Performance Contract**, and started logging each gig.

By the end of the first month, they had five reported performances and finally felt like they were treating their band like a business.

> “We used to call our gigs ‘practice with an audience.’ Now they’re paid rehearsals.”

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**📅 Month 2 – Getting in Sync**

Kozy’s team walked them through proper **show reporting** and introduced them to **GPT artist bots** that helped them organize promo, track fan growth, and post consistent updates.

The band added small merch sales and kept booking weekly shows. They started to see how royalty data could stack up over time.

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**📅 Month 3 – First Royalty Deposit 💵**

Their first quarterly **BMI payout hit** — a modest **$120**, split among the members — but it was proof the system worked.

They toasted at rehearsal and joked that they finally got “paid to play in tune.”

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**📅 Month 4 – Professional Upgrade**

Encouraged, they upgraded to the **Professional Plan ($100/month)**. This gave them access to **branding tools, fan club setup, and Kozy’s marketing team**.

They also got booked for a **paid Kozy showcase** — their first gig that paid both a show fee *and* generated royalties.

Social engagement rose 30% after using GPT-powered promo templates and audience-targeting advice.

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**📅 Month 5 – Expanding the Circuit**

With momentum building, The Northside Notes began performing outside Oakland — hitting nearby cities for small festivals and co-promoted Kozy events.

Their merch table started earning nearly as much as the gig pay.

One of their songs gained traction online after Kozy featured it in a **Slap Magazine** artist spotlight.

> “Kozy gave us more visibility than any random bar booking could.”

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**📅 Month 6 – Rhythmic Revenue & Real Recognition**

By month six, the band was performing **four to six shows per month**, all properly reported.

Their second royalty cycle came in at roughly **$300 total**, and combined with paid shows and merch, their music income averaged **$400–$500 per month** — enough to cover rehearsal space, gas, and marketing.

They were now negotiating higher booking fees because they could prove their performances *generate royalties.*

> “We stopped chasing gigs that didn’t pay. Now we book shows that pay twice.”

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### 🏁 3. Outcome & Reflection

Six months after signing up, The Northside Notes weren’t famous — but they were finally *financially functional.*

Every performance counted, every song was tracked, and every quarter brought real payouts.

Their consistency, combined with Kozy’s structure and GPT artist tools, turned casual gigs into a steady side income.

**Kozy Game Show didn’t change their sound — it changed their system.**

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**💡 Lesson:**

If you’re performing original music, every stage you hit can be a paycheck — if you know how to report it.

> “We used to end shows with applause. Now we end them with deposits.”

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**Curious whether Kozy Game Show could work for your band?**

If you’re gigging with original material, check the plans and see how many of your shows could start paying you back.

👉 [RAPMASTERCLASS.STORE](http://rapmasterclass.store)

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